A sweet nocturne

Bedrooms

Sleeping soundly at Gilford Castle

Each of Gilford Castle’s bedrooms is as distinctive as the castle itself, offering unique character and atmosphere while remaining faithful to the house’s Victorian Scots-Baronial heritage. Colour and craftsmanship shape unique experiences—antique furnishings, richly embroidered fabrics, and period artworks grace each luxurious and inviting space. Together they form a collection of distinctive retreats—each a private world within the castle offering timeless refinement and modern comfort.

Gilford Castle’s bedrooms

Every space has a story

Some Gilford Castle bedrooms are richly cocooning spaces of intimacy and grandeur, while others evoke distant lands with jewel-toned palettes and lacquered details. Still others are inspired by gentle, sun-filled spring days or the serene beauty of historic libraries. Whether you’re seeking gilded theatre or a return to a home you never knew, Gilford Castle has a place for you.

01

The Dickson Suite

Benjamin Dickson was the industrialist who modernised Gilford in the 1860s and commissioned the construction of Gilford Castle. He had planned to live here with his future wife, but their story ended before the wedding. This room is a tribute to what might have been. It is one of the most generous spaces in the house, with high ceilings and gracious decor. Soft light falls across the antique, silk-draped four-poster bed and the De Gournay fabrics of the sofa and armchairs. Plush wool carpets, antique French light fittings, and bespoke handmade lampshades underline its refined character. The original oak fireplace, reclaimed from the castle’s grand hallway, anchors the room. In the en-suite, a Victorian gilded console and mirror complement an original Edwardian marble fireplace.

02

The Carleton Suite

Katherine Carleton was a fascinating woman who lived at Gilford Castle in the early 1900s with her lady companion, two servants, and a strident independence that was unusual for her time. She was an auctioneer and a renowned prize cattle breeder, and always demonstrated practical ability. You can see traces of her presence elsewhere in the house, particularly the leadlight windows on the staircase, which feature her initials. This suite reflects her blend of resolve and elegance. Specialist hand-painted panelling adds depth to the walls, while French antique furniture adds a sense of heritage. Colefax & Fowler velvet fabrics soften the strong red palette, and the Ulster carpet completes the room’s warm composure. The windows open west across the gardens she once knew.

03

The Moffett Suite

The Moffett family are Gilford Castle’s current custodian, and this room reflects the beginning of the estate’s latest chapter. Robert and Adrienne Moffett restored the house with patience, care, and a belief in its future. The suite celebrates refined, understated detail. Chinoiserie wallpaper by Watts of Westminster sets a calm, patterned backdrop, complemented by French antiques and Colefax & Fowler embroidered silks. Handmade linen curtains nod to Gilford’s historic industry, with intricately hand-stitched pelmets crafted by David Murtagh and his team. Soft natural light gives the room a warm glow throughout the day. In the en-suite, Victorian-style tin tiles and a restored original cast-iron bath preserve the character of the castle’s early interiors, balanced by Colefax wall coverings for a comfortable, contemporary finish.

04

The Wright Suite

The Wright family brought worldly elegance to Gilford after decades spent in Hong Kong and Manila, where James Francis Wright built his career in international finance and helped lay the foundation for what became HSBC. This suite’s East Asian accents echo the objects and influences that travelled home with the family. Brunschwig & Fils grass cloth in an Oriental palette lines the walls, accompanied by antique Chinoiserie furniture and Colefax & Fowler embroidered silk curtains. Together, they create a layered, cosmopolitan atmosphere. Soft light moves across the lacquered pieces and pagoda-style lantern, giving the suite an intimate, reflective quality. An Ulster carpet and the original Victorian marble fireplace anchor the space in its Irish setting, balancing global influence with local heritage.

05

The Dunbar & McMaster Suite

This suite is named for the industrialists whose linen mill powered Gilford’s prosperity in the 19th century. Their entrepreneurial spirit helped transform this bend in the River Bann into an engine of the thriving linen industry. This room later became Mrs Wright’s sewing studio. When the Moffetts purchased the property, this room was lined with wardrobes filled with her costumes, hats, and fabrics. Behind those wardrobes, the original Victorian marble fireplace had been completely concealed, only rediscovered during the restoration. Today, that creative spirit remains. Embroidered Colefax & Fowler curtains nod to the room’s past, while the antique Singer machine is a vestige of Mrs Wright’s passion. Soft blue walls, Italian light fittings, and Irish and French antiques give the suite a composed, elegant presence.

06

The Spence Suite

William Spence, the Glaswegian architect of Gilford Castle, made his name as a theatre architect before bringing his romantic interpretation of the Scottish Baronial style to bear here. His eye for grandeur informed the rugged stonework, turrets, oriel windows, and carved oak that give the house its character. The room named in his honour has a gentler, more romantic atmosphere. Coral tones, floral wallcovering, richly patterned curtains, pelmet, cushions, and bedcover. The effect is intimate, enriched by wool carpet, candlelight, and the glow of a glass chandelier. Carved Victorian furniture, a dark-wood wardrobe, upholstered chairs, and a small writing table give the suite a composed, domestic character. The Spence Suite offers quietly refined comfort, a tranquil nest at the centre of the castle’s architectural drama.

07

The Magill Suite

Captain John Magill was a 17th-century Scottish settler who held extensive lands in County Down and lent Gilford (Magill’s Ford) his name. His descendants built the first Gilford Castle a century later, and you can glimpse its ruins behind the current gatehouse. The Magill Suite itself has a graceful character—soft, patterned walls and warm floral textiles create a gentle backdrop for the suite’s gilded headboard, marble fireplace, and hand-painted furniture. Light lands softly on curved lines and botanical motifs, giving the space an air of quiet refinement. Tall sash windows draw soft natural light across the room, while layered fabrics, antique furniture, and carefully chosen decorative details create a sense of quiet ceremony. The result is a suite deeply comfortable and rooted in a fascinating history.

08

The Johnston Suite

The Johnston family were the first to establish an estate at Gilford, rising from 17th-century landholders to baronets whose influence shaped the village for more than a century. They built the original Gilford Castle, stewarded the land through eras of conflict and prosperity, and laid the foundations for later generations to build on. Their crest still appears inscribed on the library’s mantelpiece. The Johnston Suite reflects that heritage through a pastoral theme, bathed in light and overlooked by toile scenes of rural life. Soft pinks, painted timber, and French-inspired furnishings create a sense of quiet refinement, echoing the landscapes the Johnstons once cultivated along the Bann. Delicate botanical details lend the room a garden-like quality, offering a graceful contrast to the castle’s heavier Baronial architecture.

09

The Meegan Suite

The Meegan Suite honours Adrienne Moffett (née Meegan) and her Monaghan family of builders who helped bring Gilford Castle back to life. Her family’s craftsmanship and care are woven throughout the fabric of the castle. The room reflects their calm approach. Deep greens and warm tones sit alongside botanical patterns and antique pieces. The combination gives the room an easy comfort which is neither formal nor overly styled, but well-composed in a way that helps guests settle quickly. It’s a space that feels coherent, considered, and pleasant, shaped by choices that favour practicality, longevity, and good taste. The effect is quietly personal, less a decorative statement than a reflection of hands-on restoration, where family skill, patience, and judgement have helped shape the castle’s renewed character.

10

The Hope Suite

The Hope Suite draws its name from Castleblayney and the family who once presided there, beginning with Sir Edward Blayney, 1st Baron Blayney, and later Henry Thomas Hope, whose ownership linked the town to the famed Hope Diamond. Castleblayney presides over a corner of Co. Monaghan and lies halfway between Broomfield and Clontibret, where Gilford Castle’s owners, the Moffett and Meegan families, come from. Spero meliora, the Moffett family motto, which means “We hope for better things”, appears in the hand-painted mural of Hope Castle and Lough Muckno in Gilford Castle’s Gentlemen’s Lounge. The Hope Suite’s blue-and-cream patterns, soft gold tones, and classic furnishings create a clear, uplifting atmosphere. Its brightness suits a room shaped around optimism, family memory, and elegance.

Practical elegance

Gilford Castle’s creature comforts

Gilford Castle’s bedrooms are designed for comfort and ease. Many are accompanied by private bathrooms, featuring marble-topped vanities, gilt-framed mirrors, and heritage fixtures that balance charm with function. Tall sash windows draw in natural light and frame views of the gardens and woodland, while fireplaces, seating areas, and writing tables make each room as inviting to inhabit by day as they are restful by night. Every detail has been considered to make you feel at home.

Contact

Embark on your journey

Staying at Gilford Castle Estate is a unique, exclusive experience. Reach out through our contact form and request a bespoke consultation so we can understand your requirements and provide you with a tailored experience.